Kids’ Lit Quiz. Nth London Heats 2011

Posted: November 29, 2011 by admin in Uncategorized

I had a great time at the KLQ heats this year at Broxbourne School. The event was won by City of London School for Girls with a whopping score of 96! My team of authors did not do so well.

This is my third KLQ, and I am always amazed by how well it is organised and presented. Wayne Mills works so

hard to set a great range of questions. All the contestants seem to love his enthusiasm, and I have no idea how he keeps it up during his whirlwind tours of the regions.

The final is this Friday at Warwick University, with the UK winners going off to New Zealand for the international finals!

I had a great time at this school. I spoke to 180 Yr 7 students, and I was incredibly impressed with their conduct. Lots of great questions asked, my favourite of which was, “If you had to choose to be one of your characters, which one would it be?”

Thanks to Angus Mark Thomson for the images.

1. “So, what do you do for a living?”

This isn’t an unusual question, but it’s the start of what is to come. Hence, I hate it. It’s about this time I wish I hadn’t given up my job as a space-monkey hunting Astroninja.

2. “Will I have read anything you’ve written?”

How this usually goes:

“I doubt it. What was the last thing you read?”

“Er, well I don’t read a lot.”

“Then I think it even more unlikely.”

[Cue uncomfortable silence]

3. “So, how is that going for you? Is it paying the bills?”

How this usually goes:

“Just about.”

[Cue uncomfortable silence]

What I’d like to say:

“By that I assume you want to know how much I earn a year, and if my, no doubt in your opinion, ‘namby-pamby, not really real’  job  has made me rich yet.”

4. So your not the next J.K. Rowling then?

How this usually goes:

[Little laugh] “No, afraid not.”

What I’d like to say:

“Piss off.”

5. “Do you think you’ll write adult books soon?”

What this means:

“When are you going to try and write ‘proper’ books?”

How this usually goes:

“No. I think writing for a younger audience is actually harder than writing for adults in many ways, and I enjoy the challenges it poses. That’s why so many writers of adult (they hear the word ’proper’ here) books are now writing for this audience.”

6. “I’ve got a great idea for a book. I don’t suppose you’ve considered writing for someone else, have you?”

What this means:

“My life is just so busy doing a REAL job that I don’t have time to faff around with things like writing. I’m sure you could knock a book out in a couple of weeks though, and we could make a fortune out of my amazing, never-before-thought-of idea which is so much better than anything YOU’VE ever thought of. I’d even be willing to give you a 20%… no, make that 15%, cut.”

How this always goes:

“No.”

[Cue uncomfortable silence]

7. “In fact I have managed to get four or five chapters down already. Would you have a look at them?”

What this means:

See above

How this always goes:

“No.”

[Cue uncomfortable silence]

8. “So, what are you working on now?”

What this really means:

“When you’re not sitting around in your dressing-gown, scratching your arse, surfing the internet and playing on the PS3, what are you doing all day?”

How this usually goes:

“I’m basically sitting around in my dressing-gown, scratching my arse, surfing the internet and playing on the PS3, whilst trying to sort out the overall story arc for my new series of books.”

 

At this point, my very own, personal Tomas de Torquemada usually finds something else to pique their interest and thankfully moves on. But as they go, they almost always leave you with:

“I’ll check you out. Sorry, what was your name again?”

“Franz Kafka.”

“Right. I’ll be sure to get some of your stuff for my kids!”

 

Today I put the last sentence to my last chapter of my new book, CHOSEN. So I’m finished, right?

 Wrong!

 I’m in the terrible limbo state of having, “completed my book to the best of my ability given the time constraints imposed on me by a) a deadline and b) my inability to get my arse in gear for great swathes of it.” Part of me is glad I’ve reached this point, but an even bigger side of me is filled with dread.

 Because now I’m in the terrible situation where I have to let somebody else look at my work. And that, for me at least, is never easy.

I like to write in a bubble. I like to close myself off from the real world and write my books without having to tell anyone “what the new one’s about,” or any of that stuff. In fact, before CHOSEN, I’d never let my editor or agent see any of the book I was currently working on until it was ‘finished’. But with the first book of a new series I got the jitters half way through and needed some reassurance I was not setting out on a path that was ultimately doomed.

So today I put the last few words down, saved the file, attached it to emails to my agent and editor, and finally plucked up the courage to hit the SEND button. And now I have to wait.

And when they do respond, I know the really hard work will have to start: I’ll have to face the fact that my toils over the last months have not resulted in a perfect story. I’ll have to take on board suggestions and advice that will knock it into shape and improve it, and ultimately, I’ll have to change things that I might not want to. And at the end of that I’ll be ‘finished’ again. Of course, then there are line edits…

And the thing I now know (that I didn’t realise with my earlier books) is this: the book is NEVER finished. There are aspects of it that you’ll always wish you’d done differently, sections you would love to rewrite, errors your loving fans have spotted that you want to correct. So when an author next tells you that they’ve finished their latest book, look them straight in the eye and ask them, “Really?”

 

 

1. Get up nice and early, make yourself comfortable in your favourite writing place and turn on your computer.

2. Check your email for exciting news from your agent or publisher.

3. Look at the notes you made the previous day.

4. Put the kettle on and make coffee/tea.

5. Go back to your desk and log on to Twitter.

6. Read the last chapter you wrote to ensure you’re completely happy with what you’re going to be doing next.

7. Check your email for exciting news from your agent or publisher.

8. Google that important piece of research you’ve been meaning to look at for some time now (even though it will not be used in this or any other book).

9. Put some inspirational music on the mp3 player. Change the music at least three times before deciding that you ‘don’t need inspirational today’.

10. Put the kettle on.

11. Go to the loo. Whilst in the bathroom check you face in the mirror and tell yourself that you don’t look a day over 25…30…33…

12. Write the first sentence of your new, killer chapter. Decide it’s crap and delete it.

13. Check your email for exciting news from your agent or publisher.

14. Go to Amazon and check your last book’s sales ranking.

15. Throw yourself prostrate on the floor, flinging your arms and legs around wildly whilst shouting your favourite expletive at the top of your lungs.

16. Call your friend to see if they are still interested in going out for a drink later.

17. Set a new reminder to backup your work files in case your laptop explodes.

18. Delete the last five reminders (all of which you have ignored) to do the same thing.

19. Check your email for exciting news from your agent or publisher.

20. Have a good rant about the unfairness of life and how other people get all the breaks/publicity/marketing while you are left to wallow in the mire.

21. Finish lunch.

22. Get dressed and walk up to the corner shop to buy milk.

23. Put the kettle on and make coffee.

24. Curse the postman for depositing so much useless junkmail through your door. Curse the postman for delivering the useless junkmail so late in the day.

25. Sit and read useless junkmail in the wild hope that your muse has hidden the secrets to your latest chapter within.

26. Talk yourself out of buying the heated slippers for only £19.99 + del.

27. Rewrite the first line of your new that you first wrote in step 12. Decide it wasn’t crap after all, but quite brilliant instead.

28. Start to write the second line, but stop and groan loudly at the sound of the kids coming home from school.

29. Shout at kids, telling them that you are trying to work.

30. Give up on the chapter due to the noise of children killing each other in the lounge.

31. Welcome wife home from work, bemoaning the fact that you’ve had so much to do you couldn’t get any writing done.

32. Go to bed.

33. Wake up and REPEAT from step 1 above.

September 30th Bath Festival of Children’s Literature
A horror extravaganza with some of the best writers in the genre.
http://www.bathkidslitfest.org.uk/stevefeasey.aspx

Check out the new Polish book cover.

IGRZYSKA DEMONÓW Wilkolak

YouTube video describing this year’s challenge.

On Sunday I drove up to Derby (well, Matlock really) to do a couple of talks at the Big Book Bash. This is an annual event put on by Derby County Council to promote reading and love of books to children in care. Why more local authorities don’t have events like this is utterly beyond me.

All of the children there were clearly having a great time, and could freely move around between events by a number of different authors on a number of different subjects. Horrid Henry author Francesca Simon was there this year (although I didn’t get to see her), and I was delighted to meet Liz Pichon whose recent book: The Brilliant World of Tom Gates has become a favourite of my son.

Unfortunately, I didn’t get a chance to sit and talk with the other authors much (I had a hellish car journey there), and missed out on talking to a firm BBB fave, Phil Earle. Phil’s book:  Being Billy (about a boy living in care) was being devoured by loads of children at the festival, and I’ve just bought a copy from my local bookshop.

 

Keep Calm and Carry On

Posted: July 15, 2011 by admin in Uncategorized
Tags: , ,

Good article from The Bookseller about the difficulties faced by children’s authors at the moment.

http://www.thebookseller.com/news/childrens-publishing-haemorrhaging-talent.html